EEMO WOLU O: Awon ti'o gbero ati pa awa omo Nigeria

. Awon eniyan wo lo wa nidi pe won gbero ati pa awa omo Nigeria run na , Haba kin lo de. Oro yi lo n jade lenu awon omo Orile ede yi lori ohun ti o sele l'ana. L'ana ni awon kan ti enikeni ko mo eye ti o su won wa oko agbarigo nla (trailer) kan ti o kun fun opolopo eran obo (monkey) ti won ti yan to gbe ti o n ja fonfon wo ilu Kastina lati enu ona ibode Jibia. Opelope awon eso asobode Zone B (Nigerian Custom Service) ti igbakeji Oga agba Assistance Comptroller Gambo Azare ko s'odi lo mu motor n

Femi Ojewale‎

Alake of Egbaland Western Nigeria - May 1937.

This is Alake of Egbaland Western Nigeria, late King Ladapo Ademola II arriving at the coronation of King Goerge VI of England in London, May 1937.

Appraising Nigeria’s Ancient Traditional Arts

Nigeria’s earliest artefacts are famous for their styles and aesthetic values all over the world. CHIKA OKEKE examines some of the ancient artworks and writes that due to their historic importance, it has contributed to national development especially in the arts and culture sector.

Apart from their aesthetic nature, the artefacts are priceless and that is why foreigners place much value on them than Nigerians. Some of the ancient traditional arts are Nok, Akwanshi, Igboukwu and Dufuna Canoe.

Though some of these historic artefacts were carted away by the colonial masters but the National Commission for Museums and Monuments (NCMM) have engaged in dialogue with museums across Europe and France on possible ways of repatriating them to their home countries especially Nigeria.